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By
:M. Veassna Photos by : Chantul.
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Mr.Keo Molis Director
of Khmer Dacing Department of Royal University
fo Fine Arts demonstrates what beautiful
melody the Khmer flute is able to produce.
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Music warms the heart and lifts
the spirit. In the Cambodian countryside, the
strains of Khmer melodies can be heard as people
hum, whistle and sing while working in the rice
paddies. The powerful nature of songs can motivate
even the most tired laborer to push forward.
When the human voice grows tired, the Khmer
flute gains strength. The haunting resonance of
the wind instrument can evoke deep emotion in
a nation heavy with the weight of ragged history.
But it also can enliven the public, inspiring
dance and laughter, and helping to ease the most
stressful days.
Like a moth to a flame, hard working rice farmers
are mesmerized by the flute's whistle. Under the
hot midday sun, little can convince one to continue
laboring. But the soothing sounds of the flute
lift farmers' minds from the task at hand, making
the minutes pass without notice.
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Musicians armed with few resources
but a lot of creativity may know how to churn
music from a simple leaf. Wearing little more
than a colorful krama, rural dwellers often are
seen lazing lackadaisically in the shade of a
palm. Khmer flutists, according to Soy Saret,
a Music Department professor at the Royal University
of Fine Art and Culture, favor five traditional
songs.
The songs are: Bampeh (To Comfort); Bangkohng
K'aek (Crow's Roost); Chaahp Pouhk (Red-Brown
Sparrow); Sorin K'nahng Phnom (Hill Tribe Sorin
People); and Chrohng (a Khmer Melody). Each melody
evokes a different emotion and is quite telling
of a musician's mood.
Since the 16th century, flutes have been popular
accompaniments to Khmer wedding music, said Mao
Pheong, traditional Khmer music professor at the
Royal University of Fine Art. This popularity
began long before the Angkorian period,
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The Khmer Flut come in
various style and sizes
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From the stems of these
wild bamboo plant, musicians are able to
make the marvelous flute to produce such
beautiful
melodies.
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according to the "Traditional
Khmer Music Book" by Hun Saren. Throughout
this early period, flutes harmonized with Tro- a
Khmer stringed instrument similar to a violin- in
the Khmer Mohaorii Orchestra, the book stated. This
Khmer orchestra was a royal ensemble consisting
of stringed instruments.
Although the small wind instrument did not originate
in Cambodia, the flute's history with the country
is as eclectic as it is long, Mao Pheong said. Called
"Ploy" by ethnic minorities, the flute
originated from a twisted leaf and eventually was
carved from Russei Pok (Pok bamboo). Today plastic
instruments are sold in the market in three styles:
small, big and double-barreled, or "Kloy Plous."
The big flute has a heavy sound and was the first
instrument used by the Mohaorii Orchestra, in which
it ultimately was accompanied by a smaller flute.
Presently the big flute seldom is played in public,
and it is believed that this large style has fallen
from the pages of Khmer music history, according
to the year 2000 edition of "Traditional Khmer
Music." Regardless of the flute's shape or
size, however, its hollow sound is universally adored.
Clarinets are some of the most sophisticated wind
instruments to evolve from the simple leaf predecessor.
The reed of a clarinet is made from the guava tree,
Nang Noun, and Krohngoueng. The reeds must be made
from smooth wood in order to produce a loud, sweet
sound. Good reeds block saliva to go inside the
flute when we blow.
To make a flute, a piece of bamboo or wood, approximately
50 cm long, must be hollowed out. Smaller flutes
are required to be approximately 40 cm long. The
hollowed middle is burned. A piece of guava wood
is cut a bit smaller than the hollow section and
placed at the bottom of the bamboo tube. This is
used as a reed. Seven holes then are carved into
the front of the instrument, while one is carved
into the back. To space the holes equidistance from
each other, a string of equal length to the flute's
length is folded in half and then folded again to
measure between each hole.
Although it does not take a lot of skill to blow
noise from the mouth of a flute, time and talent
are required to evoke memories of the past or visions
of the future. Wherever you go, listen for Cambodia's
tale told in the gentle whisper of the wind. |
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Suite
B8, Regency Square, InterContinental Hotel, 294 Mao Tse Toung
Boulevard,
Phnom Penh, Kingdom of Cambodia.
Tel: (855) 23 213 133 Fax: (855) 23 213 033
E-mail:
editor@leisurecambodia.com
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